When Victoria Camblin asked me to guest edit the “port cities” issue of ART PAPERS, her last issue with the magazine, I was acquainting myself with my new laptop’s USB-C ports (see Stephen Froese’s review of USB-C). The theory of the port would be a theory of communication founded in architecture. It’s where things go from one place to another. If I were to formulate a theory of the port, as Sascha Pohflepp begins to do at the close of this issue, it would describe a place of transference, a situated point of exchange, the movement of goods, people, and information tied to a spot.
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